MEDIAMEL
Come along with me on my AICE Media Studies adventure :)
Reflection
I can't believe everything is over.
Seriously though, this was a months-long process that took lots of effort and dedication from all of us. Looking back, I feel very proud of how far we've come, and I feel that this is a good time to reflect on this entire journey.
I almost didn't join this class. The only reason why I chose it was because I had no other ideas for an 8th period! No other class I was interested was compatible with this time, so I just chose Media Studies and hoped for the best. Well, I'm not sure who's in charge of schedules, but I would like to thank whoever made choosing this class so easy, because I grew so much because of this course.
Honestly, when I first heard of the film opening project, I was completely out of ideas. I didn't really spend time brainstorming since I knew I would have group mates that might reject any ideas I brought up. Luckily, this worked out in my favor when I paired with my partners since Hannah and Daniel already had an idea they were so passionate about. I heard of the love triangle idea, and I definitely was okay with it, and Tori was too. So that part was pretty easy.
Filter/Saturation Update
While editing, I basically had to look at the same shots over and over. This got very repetitive to say the least. Eventually, I started realizing how bland some of the shots seemed. Maybe this was just because of how many times I looked at the same things, but I still wanted to do somethings about it.
So, I looked towards filters.
I was thinking about downloading a preset from the internet, but I also wanted to keep the original charm from the camera. I experimented with changing contrast and saturation, and I really liked how increasing just the saturation looked like. It wasn't too drastic; it was just a subtle change. Here's a difference for reference:
I think this change is rather beneficial for our film opening since it brings more life to the shots. The yellows seem more yellow, the reds seem more red, the greens seem more green, and so on. This subtle saturation increase probably wouldn't be noticed unless it was compared with the original shots, so I like that this change is not what draws the audience's attention. Rather, it just makes the viewing experience more enjoyable.
I know many films and TV shows use filters or change their saturation, so why not include such a change in this project?
Anyway, just wanted to update you guys!
Genre in Our Film Opening
This post is dedicated to how our project fits within the conventions of the genre we chose.
First, I should remind you of our genre(s). Mainly, our film is fits between romance and drama, romantic drama if you will. However, it could also be considered somewhat of a coming-of-age film. We made our film fit into these genres in many many ways.
To fit into the romantic portion of the film, we emphasized the relationships between the characters. There is romance between Betty and James, even if it's more of a ghost of a romance after the breakup. Props are used to demonstrate this. Love letters and rose petals are shown in the bedroom scene, symbolizing love, but since they are wilted and ripped, it symbolizes the ending of love. This reinforces the idea of love being a central concern, thus relating the film back to the genre of romance. When Betty opens the door James holds roses for Betty. This is another symbol of love since it relates to James wanting to rekindle Betty's faded feelings for him. On top of props, dialogue is also used to fit our film into the conventions of romance. Betty references love in her voiceover, and James tells August directly that he still loves Betty. This helps fit our film into the romance genre even more.
Let's move on to drama. Our film has drama written all over it. It's seen in the disappointed facial expressions of Betty and the pleading expressions of James, the mellow and mysterious lighting and hues, the dramatic piano background music, the mannerisms of the characters, and the dialogue that's full of conflict. After all, this is a love triangle. It would be weird to see happy characters considering Betty got cheated on. Betty, James, and August are all dealing with their individual struggles. The combination of all these elements create a tense-filled and dramatic atmosphere, and this is just what we wanted.
Favorite Part
When reflecting on our film making journey, I definitely note the good and the not-so-good. Luckily, this post is dedicated to my favorite part of it all! Unfortunately, I was not able to be there for filming. Because of this, I don't have the experience of knowing if filming would have been my favorite part. I do love social connection, so I think this probably would have been it. But, what's done is done, so I'd say my favorite part of the process was the aesthetic of it all.
To put it bluntly, I love pretty things. Whenever I view things as beautiful and exciting, it gets me super motivated and creative. That's exactly what happened here. When I was assigned to make my first moodboard, I ended up loving the process of scrolling through Pinterest to find the loveliest pictures and putting it all together made it even more enjoyable. I felt the same way with the second moodboard I made (the one that actually related to The Hope Of it All). I never thought I would enjoy making something like this, but I did. This process sort of taught me something new that I loved doing. For fun, I ended up editing pictures that had nothing to do with media studies in a collage manner. They turned into playlist covers, so I'm pretty satisfied with how that turned out.
Other aesthetically-pleasing moments came from when Tori sent me the video files. I saw how nice her camera quality was and was in awe. I thought the way everything was recorded was simply lovely. The colors, the angles, everything. It seemed like a genuine film.
During the editing process, I tried my best to find ways to make the film even more aesthetically-pleasing. This included using a filter (raising the saturation), finding good music with the help of my group, and finding good fonts and transitions. I really love how it turned out!
Although it was hard to pick a favorite thing out of everything, I definitely enjoyed the aesthetics of the process throughout. That being said, I'd say that the aesthetics are my favorite part.
Color in our Opening Scene
Color is something my group and I definitely considered when making this film opening. Color has the ability to convey emotions, states of minds, and personality without even using words. That being said, color is a powerful tool in film. It wasn't the factor my group and I focused most on, but it definitely had an impact on certain choices we had to make.
For example, the blue tones in Betty's room conveys mellow and sad emotions despite nothing very sad actually happening. After all, Betty is simply waking up and getting ready for the day. On top of this, the blinds aren't open, preventing any yellow sunshine to counter these blue/indigo tones. This further enhances the mellow moods created. The purpose of these blue and indigo colors is to convey sadness, more specifically, the sadness of Betty due to her recent breakup. What makes this breakup especially hard is the fact that James cheated on her. Betty is feeling all sorts of negative emotions like betrayal, shock, and misery. Blue is probably the best color to symbolize this, so using this color in the lighting definitely helps enhance these feelings.
Color also affected the wardrobe choices of each of the characters. To show Betty's delicacy, innocence, and femininity, she wears a pink shirt. I think the color of Betty's shirt reinforces her personality in an accurate way, so I think this wardrobe choice works well.